Archimago's Musings Review: Sabaj A20d 2022 Version DAC (ESS ES9038PRO) [Part I] - Hardware, Filters, and Jitter.
[Disclosure: Most of the products I review have been purchased personally or loaned from friends. On occasion, a manufacturer or seller will contact me about a device which I might have an interest in. This Sabaj DAC is one such device which was sent to me from the company for an honest, independent review. As I have done over the years, my review process focuses mostly on objective performance with some subjective listening opinions. Objective data rather than pure subjectivity I believe will help substantially mitigate bias.]
Over the last few years, we have seen an impressive proliferation of high resolution DACs at very reasonable price points coming from audio companies in China. In the world of consumer electronics, this should surprise nobody given that much of our technological products hail from that part of the world. Everything from Apple phones, to computer motherboards, to high-tech multinationals like AMD and Intel having manufacturing and assembly lines there.
On the test bench, we have the Sabaj A20d 2022 Version (currently ~US$420). Make sure to take note of the "2022 Version" because there is also the original A20d "2021 version" which clearly looks very different, does not feature headphone outputs, but is also based on the flagship ES9038PRO chip.
As I have been doing in the last year (like with the Topping D90SE, and S.M.S.L. DO100 previously) I think it's good taking my time with multi-part reviews to examine the various facets of these modern devices. Unlike back in the "old days" of digital where CD players only handled 16/44.1 content, modern DACs provide a whole host of sample rates, PCM + DSD, filtering options, potential noise and jitter variation, headphone output and input options typically USB and S/PDIF variants; even with these tests, as an audiophile who prioritizes sound quality, I haven't even seriously examined the Bluetooth audio options available in these devices over the years.
I. A look at the hardware
In the image above, we see the components included in the box - the DAC unit, brief manual/pamphlet, USB-A to USB-C cable, Bluetooth antenna, power cable, and remote control (dual AAA not included). Everything came well packaged.
The power cable is a standard IEC plug which means the SMPS is integrated inside, making for a convenient package without external wallwart or power brick. The specs page indicates that power supply filtering is built in (so there should be no need to supplement with audiophile tweaks, not even power cables, right? ;-).
If you look at the front panel in the topmost picture, note both 4.4mm and 1/4" headphone outputs to the right. The 4.4mm headphone output is not balanced, rather, it's provided as a convenience for the user. Specs for the headphone stage look quite good - almost 0Ω impedance, with output power up to 1W into 32Ω and 2W into 16Ω, and a claimed THD+N down to -120dB (output level and load unspecified).
As you can see, we have a good sized high resolution 2" color display screen (LCD), large and bright enough to be visible from my usual seating position about 9-feet away in my sound room to easily see the volume level. I like the thoughtful, colorful arrangement of information available at a glance including volume level when in preamp mode with variable control (0 up to 99), digital input selected, whether headphone output is turned on (little headphone icon), whether PCM or DSD, and sample rate (or as in the picture above, Bluetooth LDAC variable bit-rate format). I hope other companies have a good look at this logical and informative layout.
Within the menu controls, you can change the brightness (5 levels). Also, you can set the "Dimmer" time which is how many seconds the display is shown (choice of always turned on, or auto-off up to 60 seconds). I like this auto-off feature but I wish it automatically turned on each time something changes like say the samplerate or switching between DSD/PCM. Also, I would have liked an intermediate setting where the screen stays on all the time but actually dimming to lowest brightness instead of turning off completely. Notice that there is no dedicated power LED so with the screen off, the DAC could still be on or it could actually be in off/sleep mode and we would not know the difference. Not a big issue IMO.
Other menu settings include the choice of 7 PCM filters, 4 DSD low-pass options (47/50/60/70kHz), the DPLL setting to fine-tuning jitter tolerance (level 5 default), and there's a switch for "SPDIF Mode" for "Normal" or "Processor" - the latter setting routes the S/PDIF interface data through the XMOS processor which allows MQA processing. Of note, there's also a headphone gain setting of LOW or HIGH (+8dB).
There's a large multifunction push-to-click knob that allows you to adjust volume (preamp mode) and change settings on the menu. I'm not going to go into this in detail - suffice it to say the menu looks nice on the screen and easy to navigate; a couple of pictures below showing the "PCM filter" setting for example:
You can decide if you like the look of the unit with its double front rackmount-like-chassis-handle esthetic. I certainly appreciate that Sabaj got away from the basic black box style with this machine. The silver colored, angular metal box which measures approximately 8" wide x 8" deep x 2.25" tall including the handles (~1.5kg/3.3lbs) looks nice and will add a certain "vibe" to your system. The large black articulated push-to-click knob visually adds contrast to the front and works well for settings and selections. Push it in and hold for a couple seconds to put the machine into off/sleep mode. In day-to-day use, I'd probably use the remote more in my sound room.
Speaking of the remote, here's a picture of it:
|Notice the instructions on the battery compartment. Hold down button "C" when first used to select USB DAC.|
And here is a closer look at the back end of the device:
|(Nice black ribbed side panels to add a bit more visual contrast.)|
Digital inputs include USB-C (note that it cannot do direct USB-C to USB-C, it's fine with USB-C to USB-A and probably OK with OTG adaptor) and both Coaxial and TosLink S/PDIF. USB can go up to 32/768 and native DSD512. This inability to connect USB-C to USB-C is not unique; I noticed this with the S.M.S.L. DO100 DAC as well. S/PDIF inputs can go up to the typical 24/192 and DoP DSD64.
The Bluetooth 5.0 input is capable of standard SBC, AAC (for Apple products in particular), aptX, aptX-HD, and LDAC (best quality, highest bitrate on Android phones). I connected to this with my smartphone and found the signal strength excellent within much of my house (one of these days I'll have to measure quality of these Bluetooth CODECs beyond SBC and what signal degradation with distance looks like!).
It features both single-ended RCA and higher-resolution balanced XLR outputs.
The USB interface chip is the more powerful 16-core XMOS xCore XU216 which is needed for full MQA "decoding" as well as "rendering" (as opposed to the common 8-core XMOS).
Using the Kill-A-Watt meter, I see that when turned on and playing through RCA/XLR, it's only sipping 5W through Bluetooth or USB inputs. When in sleep mode (turned off with remote controller or hold control knob down a few seconds), it drops down to <1W. Always good to see low-power utilization. The box barely gets warm after an hour of use.
II. Oscilloscope & Digital Filters
III. Quick peek at MQA
Using that set-up above with the Logitech Squeezebox Touch as digital source for USB and S/PDIF (using Triode's EDO plugin for enhanced digital out), let's have a good look at jitter performance, starting with USB:
While audibly inconsequential, we see miniscule noise spurs in the 16-bit test below the jitter modulation signal. The 24-bit J-test results are literally "textbook", cannot get better than this even with the signal accelerated to 96kHz samplerate with a 24kHz primary signal outside of human hearing.
Let's do the same with the S/PDIF inputs - Coaxial and TosLink optical:
Simply beautiful. Even when pushed to 96kHz - something not typically done - we see the absence of jitter anomalies (this is done with a very detailed 1M-point FFT, ADC running at 192kHz).
To push the margins of jitter even further, as if 96kHz is not enough, let's take this to an extreme 192kHz with a primary signal at 48kHz (temporal accuracy becomes more important with higher frequencies, hence jitter effects are more evident):
Very nice! The sideband anomalies due to jitter are at most around -140dB from the peak of the primary signal. As extreme as this test already is, the result here is even better than the S.M.S.L. DO100 DAC (-130dB below primary signal).
I played with the DPLL menu setting a bit; supposedly lower values could improve jitter performance, and larger number improves compatibility. I did not see any significant difference with the Squeezebox Touch so just kept the setting at the default of 5 for the remainder of my tests.
Looking at the 192kHz test above, this is an example of how asynchronous USB tends to be better than S/PDIF for jitter performance (even if absolutely audibly inconsequential!). Also, for the S/PDIF interfaces, coaxial tends to be a little better than TosLink in most devices I've tested even though TosLink provides galvanic isolation from electrical noise.
There's nothing to worry about with jitter these days using modern DACs like these! As I noted years ago, we can listen to music with jitter added and recognize that it takes quite a bit of anomaly in order to be audible; far higher levels than any reasonably decent DAC I've come across over the years. Bottom line is to not worry about the "jitter boogeyman" unless demonstrated otherwise. In my measurements here, I just used generic USB, coaxial and TosLink cables and a decade-old Squeezebox Touch as source. With a good DAC like this, the source is not that important - a good DAC functions at the level of "Bits Are Bits".
There is however one idiosyncrasy I found with this DAC and S/PDIF jitter. In the menu settings you can change "SPDIF mode" from "Normal" to "Processor". My measurements above were all on "Normal" setting. Here's what happens when switched to "Processor":
Hmmm. As far as I can tell, the only purpose "Processor" mode provides is MQA decoding. It looks like whatever it's doing has added quite a bit of jitter-like sidebands. Some kind of unintended consequence as the processor tries to sniff out an MQA signal? Maybe it's applying MQA decoding to the lower bits even though this is not encoded?
Needless to say, I would recommend leaving the S/PDIF Mode to "Normal" if you have no need for MQA. (DSD64 playback through S/PDIF via DoP does not require "Processor" mode.)
V. Summary of Part I
As we end off this first part of the review, here are some general comments about the Sabaj A20d 2022 DAC so far:
1. This DAC certainly has a unique look. The silver color and angled design could add a nice accent to your sound system. Obviously, appearance of something is bound by subjective judgment. I think it looks great and if you have a bunch of black audio boxes, this silver unit will stand out.
2. Nice color LCD screen, a good size to see volume setting, and other useful data shown. There is a "Dimming" setting which I typically will leave off (ie. screen on all the time). Currently what this setting does is to turn off the screen after a set number of seconds of inactivity. Maybe it would be good to set a brightness value for dimming (eg. lowest brightness intensity) instead of just turn off the screen completely since there's no power LED to let the user know it's still on.
An "auto-sleep" function might also be nice. For example, if there's no audio being played for 60 minutes, it would be nice for the machine to turn off by itself to save power.
I'm focusing on this stuff because as you can imagine, DAC performance is becoming so good these days I think companies will need to focus more on "creature comforts", displays, power saving, other feature and avoid usability nuances! (I'm happy to report that there's no clicking/popping sound with first audio playback using a Linux streamer - noticed with the S.M.S.L. DO100, which hopefully the company can address.)
3. We see a selection of 7 ESS ES9038PRO PCM digital filters. Different manufacturers will use different names for them, and Sabaj has elected to use easy-to-understand terminology here thankfully. As an example, look at the unnecessarily complex acronyms Mytek uses for their Manhattan II filter settings.
Based on my listening (and our blind test results), filter phase effects are subtle assuming no significant frequency response changes and of the options available, I prefer a standard linear setting not just in testing but also in personal listening. Be mindful of potential intersample overload with loud, compressed music hitting beyond 0dBFS true peak. Use of volume normalization like ReplayGain or "Headroom management" (-3dB) in Roon will certainly sort things out.
4. MQA is available... The 16-core XMOS will fully decode an MQA signal. We can see the standard impulse responses used in "rendering" to a higher resolution like 192kHz.
The S/PDIF "Processor" mode which allows MQA decoding resulted in some anomalies in the J-test suggesting either processing being done affecting the lowest bits of the signal or actual worsening of jitter itself. Engineers at Sabaj might want to double check.
Keep the "SPDIF mode" setting as "Normal" if you have no need for MQA through S/PDIF.
As usual, you know how I feel about MQA. ;-)
5. Jitter performance is excellent (apart from the S/PDIF "Processor" mode comment in ).
The jitter performance of this DAC is exemplary. The DPLL setting might be helpful for compatibility if you connect an extremely jittery device to the DAC. Relaxing DPLL to >5 might help in those cases.
|Size comparison with the RME ADI-2 Pro FS R Black Edition, and S.M.S.L. DO100. The Sabaj is about 3" deeper than the RME.|
So far, this DAC looks great and the performance is certainly very promising! And yes, it does sound excellent as a high-fidelity DAC. But let me not get ahead of myself quite yet - all in good time. ;-)
Next week, we delve into some detailed analysis of the measurements of resolution and distortion from the line-level RCA and XLR outputs in Part II.